50 135mm

Focus, iris, and zoom.

50 135mm. Pentax SMC DA Series 50-135mm f/2.8 ED IF SDM Telephoto Zoom Lens for Pentax and. The PENTAX DA * 50-135mm F2.8 ED (IF) telephoto zoom lens is designed for exclusive use with PENTAX digital SLR cameras, delivering the highest level of ultimate optical image quality. The tightly sealed, weather-resistant and dust-resistant construction enhances durability for use in both rainy and dusty conditions, making it a perfect companion for the.

Recommendations back to top. It offers good optical quality and has a lightweight design and an affordable price for a cine zoom lens. It offers up a narrower perspective with some distortion that helps to push the background away for a more 3D look.

USA Version Performance Compared. The Pentax smc DA* 50-135mm F2.8 ED (IF) SDM is an interchangeable camera lens announced by Pentax on February 21, 07. In the case of Pentax’s 50-135mm f/2.8 zoom, the aperture is good for a 135mm lens and just about passable for a 50mm lens.

Intro Specs Performance Recommendations. It evolved into a normal high-power zoom lens with a range of focal lengths that began at the wide-angle 35mm. The PENTAX DA * 50-135mm F2.8 ED (IF) telephoto zoom lens is designed for exclusive use with PENTAX digital SLR cameras, delivering the highest level of ultimate optical image quality.

MK I and MK II side by side. Durable, all-metal cinema housing. 18 elements in 14 groups SD glass:.

Flare in direction of sun, any hood fixes. The Fujinon MK 50-135mm T/2.9 is a great all-round lens. Drove up to Anderson, South Carolina to pick up a tool and on the way back shot some architectural images with the K3ii and the DA* 50-135mm.

With aspherical elements, special optical-glass elements and original lens coatings, this lens is superior in terms of contrast, clarity and edge-to-edge sharpness. Read honest and unbiased product reviews from our users. Heading into the storm.

Rotary type Number of diaphragm blades:. For the entry-level filmmaker it will not be cheap, but in the context of cine zoom lenses there’s certainly nothing comparable right now. It has a 35mm-equivalent focal length of 75-2mm, making it ideal for sports photography, action photography, and portraiture.

Pentax SMC-DA* 50-135mm / f2,8 SDM - developed with ACDSee Photo Studio Professional. Its successor was a 35-135mm f/3.5-4.5 lens. There is a de-clicked, 9-bladed, curved iris for round bokeh and precise exposure control.

Performance back to top. The 24mp Nikon D600. 5 out of 5 stars.

Each ring incorporates a cine-style gear with a 0.8 MOD for interfacing with standard cine-style lens accessories. Smc PENTAX-DA★ 50-135mm F2.8 ED IF SDM For standard to medium long-range applications, offering the utmost level of sharpness, contrast and overall picture clarity. I've always wanted to take a picture of it at dawn.

The Tokina Cinema 50-135mm T3.0 EF is a cinema lens designed for cropped sensor/Super 35mm cameras with the Canon EF mount. 31° 3’ ~ 11° 8’ Minimum focus distance:. The new Tokina AT-X 535 PRO DX lens is a 50-135 with a fast constant aperture of f/2.8.

These are my thoughts and test images. Bottom line is that both of these lenses are very affordable and come ready to play. Once considerably more expensive, the heavier and larger Nikkor 50-135mm f/3.5 AIS is not as well known.

Unlike Tokina Pentax decided not to implement a tripod collar - this a bit of a borderline approach but a viable one regarding the comparatively moderate weight (685g). Intro Specs Performance Recommendations. Started with the Tokina Cinema ATX 16-28 and liked it so much I grabbed the 50-135 while they were on sale.

This 50-135mm T2.9 Mark II Cinema ATX Lens from Tokina covers Super 35mm image sensors, does not exhibit focus shift while zooming, and comes with a PL mount. APS-C / DX Focus:. This lens gives digital photographers the similar to the industry standard 80-210mm telephoto zoom lens in 35mm camera terms but is much more compact and lightweight.

Updated from its T3.0 predecessor, the lens features a constant T2.9 maximum aperture over the entire zoom range and has a 2.7x zoom ratio. The Tokina 50-135mm f/2.8 AT-X 535 PRO DX Lens is a large-aperture telephoto zoom lens designed exclusively for use with digital SLR cameras. The Pentax DA* 50-135mm f/2.8 SMC ED IF SDM The Pentax SMC DA* 50-135mm f/2.8 ED SDM Autofocus Lens is a high-quality telephoto zoom lens that is designed for exclusive use with Pentax DSLRs.

Camera & Photo 2 in stock as of 14:30 EDT, 13 August. This section applies in the USA only. Drove back through Due West, which is near Level Land, to Abbeville and McCormick to see Greek Revival antebellum mansions.

With the approximate 1.5x crop, the 50-135mm would be similar to a 75-2.5mm lens if it was full frame. If you are looking for a sharper and more contrasty lens, go with the Fujinon MK50-135mm. Specifications with commentary back to top.

Zoom-Nikkor 50-135mm f/3.5s MACRO This Nikon zoom lense was first showcased at Photokina, 19 and was introduced almost the same time to the market as another Zoom-Nikkor 35-105mm f/3.5~4.5s MACRO. “FUJINON MK50-135mm T2.9” achieves high optical performance and low distortion with T2.9 speed across the entire zoom range. Smc PENTAX-DA★ 50-135mm F2.8 ED IF- REFURBISHED.

The 50-135mm T2.9 MKII cinema lens is an update to the original 50-135mm T3 Telephoto zoom lens, it has received an all new metal mechanical housing featuring industry standard 0.8 MOD cinema gears, 300 degree focus throw, updated T2.9 iris, and 95mm front diameter for common cinema accessories. With the aperture stopped down a bit, I got a nice star shape where the sun peaked through the bamboo leaves. Sony RmkII w/ Minolta MD Zoom Rokkor 50-135mm f/3.5.

Sharp wide open, nice contrast and colours. Pentax Also Known As:. Random Nikon Zoom-Nikkor 50-135mm f/3.5 AI-S Samples from 23 available Photos more.

The Minolta MD 50-135mm 1:3.5 is a weird glass. Pentax DA 50-135mm F2.8 ED SDM Lens:. PENTAX DA 50-135mm F2.8 ED (IF) SDM Telephoto Lens & More.

The Pentax SMC DA* 50-135mm f/2.8 ED SDM is a high-quality telephoto zoom lens designed exclusively for use with Pentax APS-C DSLRs. Finally got some cinema lenses in my kit. Pentax smc DA* 50-135mm F2.8 ED IF SDM Sony FE 28-70mm F3.5-5.6 OSS Lenses with built-in focus motor focus faster and more quietly than lenses without a focus motor which rely on the camera's body focus motor.

The 50-135 MK II is an S35 lens so it won’t cover a full frame sensor. It has a 35mm-equivalent focal length of 75-2mm, making it ideal for sports, action, and portraiture. During these turbulent times, the AI Zoom-NIKKOR 50-135mm f/3.5S was left by the wayside, never experiencing rebirth as an AF lens.

"Water Proof” optical coating Angle of view:. Compared with its 60-250mm f/4 stable-mate, the 50-135mm lens is. Items in condition 'good' and better come with 180 day warranty and free shipping!.

For reference, that price is equivalent to USD $5, Euro 440, or GBP 400. 196 28 Mt Whitney Dawn by YHC Photography 18 3 Mt Whitney is the highest peak in the lower 48 states at 14,505 ft. Minolta MD Zoom 50-135mm F3.5 – final conclusion This zoom covers all the most popular portrait focal lengths.

Portrait lenses often feature 50-135mm focal lengths and F5.6 or larger aperture. While it would be great to have a little more on the wide side, the 0mm on the long end is very helpful. The Tokina AF 50-135mm f/2.8 AT-X Pro DX is the product of the cooperation between Tokina and Pentax which are now subsidiaries of the same company - it is an interesting thought that Pentax (co-)designs are now also available to users of other systems (Canon and Nikon).

The 50-135mm is a member of the professional grade DA* family and the build quality is on an accordingly high level thanks to quality materials and weather-sealing. Used rates for both of these lenses stay within $50 of each other, so it's worth comparing the two on a demanding sensor:. All things considered, I would give this 50-135mm lens a grade of 80 out of 100.

Make Offer - PENTAX star lens telephoto zoom lens DA 50-135mm F2.8ED IF SDM K mount *Superb* PENTAX Pentax DA 50-135mm F2.8 ED IF SDM ♯ EXC++ $774.00. Fully manual aperture and focus. Sony RmkII w/ Minolta MD Zoom Rokkor 50-135mm f/3.5 ~90mm, f/8.

It features a mechanical design with three independent lens control rings:. Captured with a Minolta MD 50-135mm 1:3.5. Nikon NIKKOR 50-135mm f/3.5 Ai-S Lens.

Comments All photos are copyrighted and may not be used without permission from the photographer. Canon EOS, Nikon-D Focal length:. Subscribe for more videos.

Here's an interesting lens, a blast from the past but with a fast, telephoto zoom specification that could still be useful today. Intro Specs Performance Recommendations. 50 to 135mm Maximum aperture:.

With MK18-55mm, it covers standard 18 to 135mm focal length for cinema production. The Nikon 75-150mm f/3.5 Series E is a well known dark horse in the world of Nikon manual focus. SP coating protects exposed lens elements.

Getting a Legal USA Version. Pentax K Release Date:. Top Sample Images Intro Format.

Pentax DA* 50-135mm f/2.8ED IF SDM Verdict This lens has been around a while now, but it still manages to hold its own well against the very latest lenses available from other manufacturers. I got my 50-250mm at B&H (I actually got the kit with both the 16-50mm and 50-250mm lenses).I'd also get it at Adorama, at Amazon or at eBay if you know How to Win at. This lens gives digital photographers the similar to the industry standard 80-210 telephoto zoom lens in 35mm camera terms but is much more compact and lightweight.

The 50-135mm lens is parfocal to retain focus while zooming, it has dramatically reduced focus breathing and image shift, and low distortion. With aspherical elements, special optical-glass elements and original lens coatings, this lens is superior in terms of contrast, clarity and edge-to-edge sharpness. It features a fast constant aperture of f/2.8, and provides a focal length equivalent to 80-216mm in 35mm format.

The fast f/2.8 aperture provides excellent low-light performance and shallow depth of field when shot wide open. Used Nikon Nikkor AI-S 50-135mm f3.5 Lens 50-135/3.5 AIS just USD $56.00. The Fujinon MK50-135mm T2.9 Lens is a lightweight cine-style zoom lens for MFT mount cameras with a Super 35mm-sized sensor.

It delivers very good sharpness in the centre of the frame at maximum aperture, and excellent sharpness across the frame when stopped down. Is it any good on a modern. These photos are are a guide to what these cameras are capable of, but may not fully represent the camera due to post-processing, scanning, or photographic.

The new Tokina AT-X 535 PRO DX lens is a 50-135mm with a fast constant aperture of f/2.8. The new lens is a small size ground up true cinema design featuring a compact 174mm overall length and industry-standard 0.8 MOD cinema gears. But noticeable vignette and distortion on the other hand.

Intro Specs Performance Recommendations.